I really enjoyed the last few months off with my little baby, but I am excited now to be back in the rehearsal room for some preparation!

I’m happy to announce that in the 2019/20 Season I will be making an exciting debut in my hometown Hamburg at the Elbphilharmonie, a concert hall that I have longed to sing in since it was built. Later in the year I will have my debut at the Nationaltheater Mannheim, and I will be returning to my beloved Oper Frankfurt. There will also be a lot of fun concerts and even some musical theatre! Check out my calendar for details.

"Nora Friedrichs gave us a scintillating Blonde. The voice has the lightness of cotton candy with an attractive vibrato and an easy top."


Winner of the Stella Maris Singing Competition and praised by Das Opernglas for her ‚radiant coloratura’, German soprano Nora Friedrichs was a member of the Oper Frankfurt studio from 2013 to 2015. 

Highlights of the 2019/20 season include her debut at the Elbphilharmonie Hamburg and her role and house debut at Nationaltheater Mannheim, singing the role of Eurydike in Orpheus in der Unterwelt by J. Offenbach.

Season 2016/17 saw her debuting in two exciting roles: in November 2016 Nora made her role-debut as Queen of the Night with the Berliner Staatsoper Unter den Linden, and in May 2017 she sang the role of Fiakermilli (Arabella) with Oper Frankfurt. 

Season 2017/18 saw her debuting at the prestigious Semperoper Dresden where she sang the role of Blonde in Entführung aus dem Serail  as well as her house-debut at the Deutsche Oper am Rhein, singing Fiakermilli in Arabella.

Until 2019, the soprano was a member of the ensemble of Komische Oper Berlin where she was singing many important roles including Le feu / nightingale in L'enfant et les sortilèges, Blonde in Entführung aus dem Serail, Königin der Nacht in Die Zauberflöte, La Fèe in Cendrillon.

"Mit sehr witzig und treffsicher gesetzten Spitzentönen schließlich spielt die Sopranistin Nora Friedrichs in der Arie der Adele aus Strauss“ „Fledermaus“ die lebenshungrige Unschuld vom Lande."

         Der Tagesspiegel

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© 2019 by Nora Friedrichs